The Selby collaborated with Walmart on their biggest campaign of the year, for Walmart+. The “Different Kind of Membership” campaign touts their new membership program and features twenty-two families, “as diverse as the [customers] they serve.” The campaign showcases how families spend their extra time that they save from using the new service.  Selby was the clear choice for a collaborator, because of his passion for working with real people and especially real families. He has an innate ability to capture intimate moments, and build visual libraries filled with humanity, humor and joy.  

Serial Cut collaborated with Single Use to Reuse to illustrate the impact of recycling. The collaborative effort of industry innovators, primarily America’s plastic makers, seeks to end plastic waste. Serial Cut’s CGI animations illustrate the beneficial transformations that recycling offers.

Check out the latest video in our Questions With Series, with illustrator Serge Seidlitz. Learn about his process, how he got his start, and what he’s been working on recently.

Shot over four days on the coast of Portugal, Wolfgang Zac's campaign for Camel Active is an intimate portrait of exploration. Consistent with the innovative nature of Zac's work, the images cascade from one to the next, in the style of a vintage photo album. Visual threads, such as rocky shores, friendship and salt in the air, run through the imagery and personify adventure. The campaign tagline, "Next Stop, Wherever," embodies Zac's ethos while shooting, continually embracing new practices and providing creative solutions for whatever comes next. 

Reports suggest that, unsurprisingly, there has been a recent increase in both reading and streaming, as people are looking for an escape during lockdown. So chances are you might have already seen some of Nigel Cox’s new work for Altice and Harper Collins. Stay Well.

Earlier this year, before the world went into lockdown due to the pandemic, Joe Pugliese photographed Nancy Pelosi, the Speaker of the House. On assignment for Variety Magazine, Pugliese worked with photo director Jennifer Dorn to capture a day in the life of Congresswoman Pelosi.   “[Pelosi was] really gracious and really eager to give us a tour” Pugliese remarked. Shot in multiple locations, throughout her office and the Capitol building, the biggest challenge was having limited time for each shot. However, it felt important to capture distinct moments, such as Pelosi at her desk, walking the halls, to capture what it looks like to be her. In fact, it was during her tour that Pelosi showed the team the view from her office, looking down on the national mall, which in turn became a favorite shot from the session. Pugliese, a pro at portrait photogrpahy, brings his belief that you must “treat every subject uniquely [and] meet them where they are” to each shoot.