For their latest campaign Skullcandy tapped Rude for bright and bold illustrations. Rude delivered sunny and uplifting original artwork to compliment the campaigns theme, Mood Boost. In addition to a pair of wireless earbuds each Confident Bundle purchase includes a "Rise and Frickin' Shine" print by Rude and benefits non-profit To Write Love on Her Arms.

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Stella Artois taps illustration design duo Telegramme, originally based in London and now by the sea in Margate. The illustrations capture the essence of summer entertaining: sharing food and drink with friends. 

The Selby's latest spot for BJ's Wholesale Club is a quintessential example of his expertise as a creative problem solver. The spot was shot in just a few short days at Todd's house with his own family. A jack of all trades, he served as the videographer, art director and tried his hand at food styling. The finished spot seamlessly blends advertising and storytelling, with subtle nods to emotions many of us have felt during quarantine.

Pussykrew teamed up with Reebok to create the campaign promoting their latest sneaker collaboration with swimwear brand Chromat. A campaign that was both concepted and created in quarantine and explores the concept of living life in fully digital realms.  "It's been an interesting challenge finding new ways to connect with each other during quarantine, and we wanted to explore that feeling" -- Becca McCharen-Tran, Chromat Founder & Creative Director  The duo created Rue and X Æ, 3-D avatars, donning the kicks from the collaboration. The CGI bots Pusskyrew created participate in "a dance challenge filmed on a rooftop and transmitted to a bedroom screen" which will lead to a "long-awaited IRL meeting" post quarantine. The backdrop is an abandoned version of New York City.  "Pussykrew generated a virtual experience that explores space between gender, identity, and the post-human universe. Through their creative work, they aim to transgress borders and create new utopian realities."  Read even more about the collaboration at Chromat. 

Eric Ryan Anderson’s new portraits of Jason Isbel and Steve Earle for The New York Times underscores his capability and adaptability. Both projects were shot while social distancing, leveraging comradery in a time of uncertainty. This approach, along with more intimate crews, lends to Eric’s signature emotional portraiture. In addition to photography, Anderson also recently and safely directed a music video in similar fashion and looks forward to providing more creative production solutions in the future.