• 9.26.16

    The First Presidential Debate

    If everything goes as planned tonight’s Presidential Debate will be the most watched debate in American history, and likely the world. The 90 minutes that the candidates will spend on the stage together with Lester Holt will be the most viewed political discussion in human history, an event that will not soon be forgotten by those who watch it.

    As an artists agency we’re lucky that we constantly butt up again history, and tonight is no different. A handful of our photographers have met with Hillary Clinton and Donald Trump for various projects and we present a selection of that work here.

    Most recently, Hillary Clinton sat for Joe Pugliese with her Vice Presidential Nominee Tim Kaine. It was a quick, productive shoot for People Magazine that struck the tone Clinton was probably angling for. She comes off as warm and open, both elements her fans love and her detractors say are missing. 

    Joe has also photographed Trump. Last fall he tailed The Don for a day from the office to the street, to receiving adulation from his fans. It was the early days of the campaign long before anyone could even guess he’d be the nominee. But here we are a year later and it’s all eyes on Trump as he prepares to take on Clinton who has, arguably, been preparing for this moment her whole professional life. 

    Through his own storied career Marco Grob has also had the opportunity to work with both Donald Trump and Hillary Clinton, bringing his signature gravitas to these two political animals that have their own versions of what leadership means. Marco also embedded in Obama’s White House, giving us looks at what the Presidency means that we haven’t seen before.

    In 2012 when Barack Obama was Inaugurated for the second time, Stephen Wilkes set up for his signature ‘Day to Night’ series, photographing the whole day that hundreds of thousands of Americans collected on the National Mall to watch their President take the oath of office for the final time.

    Finally, Douglas Friedman had the opportunity to photograph Hillary Clinton in 2013 for the cover of New York Magazine in a shoot that decontextualized this woman who brings with her a career of work and controversy, offering her up unadorned and markedly human.

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