- 12foot6
- The 3D Agency
- Am I Collective
- Tatiana Arocha
- Artbombers
- Andrew Bannecker
- Gary Baseman
- Bigshot Toyworks
- Sir Peter Blake
- Stephen Bliss
- Blockade
- Darren Brass
- Gregory Bridges
- Mick Brownfield
- Susan Burghart
- Leonello Calvetti
- Scott Campbell
- Marcos Chin
- Nishant Choksi
- Stan Chow
- Josh Cochran
- Fernanda Cohen
- Coherent Images
- Sarah J. Coleman
- Dan Craig
- Grace Devito
- Tristan Eaton
- Max Ellis
- Ken Fallin
- Jessie Ford
- Nathan Fox
- David Frankland
- FWY Studios
- Victor Gadino
- Fred Gambino
- Brian Grimwood
- Steven Guarnaccia
- Sam Hadley
- Olaf Hajek
- John Harwood
- Adam Hayes
- Bryan Haynes
- Sara Hayward
- John Hendrix
- Thomas Herbrich
- David Holmes
- Peter Horridge
- Barbara Hulanicki
- Rod Hunt
- ilovedust
- Kev Jenkins
- Jeremyville
- Richard Jones
- Kai & Sunny
- Kano
- Chris Kasch
- Peter Kramer
- Staffan Larsson
- Mary Ann Lasher
- Lee Macleod
- Tina Mansuwan
- Tim Marrs
- Mick Marston
- Griesbach/Martucci
- McFaul Studio
- David Mcmacken
- Nicola Meiring
- Kate Miller
- Chris Moore
- Peter Mueller
- Dave Needham
- Gary Neill
- Craig Nelson
- Jeff Nishinaka
- Nomoco
- Paul Oakley
- Henry Obasi
- Don Oehl
- Steven Olds
- Kristian Olson
- Brittany O'Neil
- Nigel Owen
- Rizon Parein
- Jackie Parsons
- Jitesh Patel
- Pirates Jimi Crayon
- Pocko People
- Andrew Rae
- Aleta Rafton
- Rhythm & Hues Design
- Larry Rostant
- Harriet Russell
- Goro Sasaki
- Serial Cut
- Seventh Art Group
- Alberto Seveso
- Sandra Shap
- Yuko Shimizu
- Paul Slater
- Ray Smith
- Simon Spilsbury
- Spiral Studio
- Steve Stone
- Louisa St. Pierre
- Studio Number One
- Superexpresso
- Tes One
- Mark Thomas
- Thunderdog Studios
- Benjamin Wachenje
- Luke Wilson
- Stephen Youll
- Zerofractal
Thomas Herbrich
Bio: As a photographer I am not interested in reality the way a photojournalist is. I prefer to take photographs more or less the same way a painter paints pictures, with a camera and a lot of classic and digital techniques. My visual enlightenment came when I saw Stanley Kubrick's A Space Odyssey. The overwhelming beauty and mysterious allure of this film really threw me off balance; I believe it has influenced every picture I've done since that day. For a while my goal in life was to create special effects in movies. I love to do spectacular scenes. In fact I made the special effects for Roland Emmerichs first film. However, I realized fairly soon that I would never be more than a small cog in the huge film industry as a photographer it is far easier to imprint your own style on a project. My studio is unique in having its own high-end models-shop, photo-archive with lots of special-effects (and all the other material like landscapes, skies and so on) and a high-end postproduction. I am one of the pioneers in digital photography and postproduction. I work for advertising agencies and magazines worldwide. My mantra is: "Surprise yourself and your audience!"















