- Illustration
- 12foot6
- The 3D Agency
- 7AFX
- Am I Collective
- Tatiana Arocha
- Ars Thanea
- Andrew Bannecker
- Will Barras
- Greg Barth
- Gary Baseman
- Bigshot Toyworks
- Sir Peter Blake
- Stephen Bliss
- Darren Brass
- Mick Brownfield
- Susan Burghart
- Leonello Calvetti
- Carbon Studio
- Nishant Choksi
- Stan Chow
- Fernanda Cohen
- Coherent Images
- Sarah J. Coleman
- Dan Craig
- Debaser
- Grace Devito
- Tristan Eaton
- Max Ellis
- Ken Fallin
- Jessie Ford
- Nathan Fox
- FWY Studios
- Victor Gadino
- Fred Gambino
- Grandpeople
- Brian Grimwood
- Sam Hadley
- Olaf Hajek
- Julene Harrison
- John Harwood
- Adam Hayes
- Bryan Haynes
- HAZE
- John Hendrix
- Thomas Herbrich
- Peter Horridge
- Rod Hunt
- Ilovedust
- Kev Jenkins
- Jeremyville
- Richard Jones
- Kai & Sunny
- Kano
- Anna Karlin
- Chris Kasch
- The Keystone Design Union
- Peter Kraemer
- Staffan Larsson
- Mary Ann Lasher
- Eugene & Louise
- Tim Marrs
- Mick Marston
- Griesbach/Martucci
- David Mcmacken
- Tara McPherson
- Alberto Mielgo
- Kate Miller
- Chris Moore
- Peter Mueller
- Narvi Creative
- Dave Needham
- Gary Neill
- Jeff Nishinaka
- Nomoco
- Paul Oakley
- Henry Obasi
- Steven Olds
- Nigel Owen
- Palehorse Design
- Rizon Parein
- Jitesh Patel
- Pirates Jimi Crayon
- Gavin Potenza
- Qube Konstrukt
- Radio
- Andrew Rae
- Aleta Rafton
- Rhythm & Hues Design
- Larry Rostant
- Harriet Russell
- Serial Cut
- Alberto Seveso
- Sandra Shap
- Yuko Shimizu
- Shinbone
- Shotopop
- Paul Slater
- Ray Smith
- Simon Spilsbury
- Spiral Studio
- Steve Stone
- Louisa St. Pierre
- Superexpresso
- Tes One
- Mark Thomas
- Thunderdog Studios
- Benjamin Wachenje
- Craig Ward
- Luke Wilson
- Stephen Youll
- Zerofractal
Sarah J. Coleman
Clients: Macy's, Target, Crabtree & Evelyn, Tiffany, VH1, The Guardian, The Shakespeare Birthplace Trust, Leo Burnett, TBWA, Saatchi NY, Fallon, Strange Famous Records, Penguin, faber & faber.
Bio: Inkymole, aka Sarah J Coleman, arrived at a full-time career in illustration and typography via an illustration degree, along the way enjoying the roles of pirate radio DJ, lecturer, youth worker, props-maker for The Royal Shakespeare Co., and typesetter of obituaries. Now into her second decade of creating magic for a broad client base, she likes the challenge of a solo exhibition, mounting them in both the US and UK, and is inspired by the penmanship of a more elegant era with a muscular, if pedantic, grasp of the English language. She has wrapped her perma-stained fingers around hand-drawn words and pictures for advertising, identities, packaging, record sleeves and almost 200 book covers.
