- 12foot6
- The 3D Agency
- Am I Collective
- Tatiana Arocha
- Artbombers
- Andrew Bannecker
- Gary Baseman
- Bigshot Toyworks
- Sir Peter Blake
- Stephen Bliss
- Blockade
- Darren Brass
- Gregory Bridges
- Mick Brownfield
- Susan Burghart
- Leonello Calvetti
- Scott Campbell
- Marcos Chin
- Nishant Choksi
- Stan Chow
- Josh Cochran
- Fernanda Cohen
- Coherent Images
- Sarah J. Coleman
- Dan Craig
- Grace Devito
- Tristan Eaton
- Max Ellis
- Ken Fallin
- Jessie Ford
- Nathan Fox
- David Frankland
- FWY Studios
- Victor Gadino
- Fred Gambino
- Brian Grimwood
- Steven Guarnaccia
- Sam Hadley
- Olaf Hajek
- John Harwood
- Adam Hayes
- Bryan Haynes
- Sara Hayward
- John Hendrix
- Thomas Herbrich
- David Holmes
- Peter Horridge
- Barbara Hulanicki
- Rod Hunt
- ilovedust
- Kev Jenkins
- Jeremyville
- Richard Jones
- Kai & Sunny
- Kano
- Chris Kasch
- Peter Kramer
- Staffan Larsson
- Mary Ann Lasher
- Lee Macleod
- Tina Mansuwan
- Tim Marrs
- Mick Marston
- Griesbach/Martucci
- McFaul Studio
- David Mcmacken
- Nicola Meiring
- Kate Miller
- Chris Moore
- Peter Mueller
- Dave Needham
- Gary Neill
- Craig Nelson
- Jeff Nishinaka
- Nomoco
- Paul Oakley
- Henry Obasi
- Don Oehl
- Steven Olds
- Kristian Olson
- Brittany O'Neil
- Nigel Owen
- Rizon Parein
- Jackie Parsons
- Jitesh Patel
- Pirates Jimi Crayon
- Pocko People
- Andrew Rae
- Aleta Rafton
- Rhythm & Hues Design
- Larry Rostant
- Harriet Russell
- Goro Sasaki
- Serial Cut
- Seventh Art Group
- Alberto Seveso
- Sandra Shap
- Yuko Shimizu
- Paul Slater
- Ray Smith
- Simon Spilsbury
- Spiral Studio
- Steve Stone
- Louisa St. Pierre
- Studio Number One
- Superexpresso
- Tes One
- Mark Thomas
- Thunderdog Studios
- Benjamin Wachenje
- Luke Wilson
- Stephen Youll
- Zerofractal
Sarah J. Coleman
Clients: Harpercollins, Macy's, Penguin, Faber&Faber, Simon & Schuster, DDB, Studionorth, Razorfish, TBWA, Leo Burnett, Glamour Magazine, McCann Erickson, JWT, Epitaph Records, WWAV.
Bio: Inkymole, aka Sarah J Coleman, arrived at a full-time career in illustration and typography via the traditional method of a degree, and the bizarre worlds of pirate radio, lecturing, youth work, theatre, prop making for The Royal Shakespeare Co., and typesetting obituaries. Now into her second decade of creating magic for an broad client base, she has held solo exhibitions all over the World.Inspired by the penmanship of a more elegant era and with a muscular, if pedantic, grasp of the English language, she has wrapped her perma-stained fingers around words and pictures for advertising, identities, packaging, record sleeves and she has just completed her 115th book cover.










