- Illustration
- 12foot6
- The 3D Agency
- 7AFX
- Am I Collective
- Tatiana Arocha
- Ars Thanea
- Andrew Bannecker
- Will Barras
- Greg Barth
- Gary Baseman
- Bigshot Toyworks
- Sir Peter Blake
- Stephen Bliss
- Darren Brass
- Mick Brownfield
- Susan Burghart
- Leonello Calvetti
- Carbon Studio
- Nishant Choksi
- Stan Chow
- Fernanda Cohen
- Coherent Images
- Sarah J. Coleman
- Dan Craig
- Debaser
- Grace Devito
- Tristan Eaton
- Max Ellis
- Ken Fallin
- Jessie Ford
- Nathan Fox
- FWY Studios
- Victor Gadino
- Fred Gambino
- Grandpeople
- Brian Grimwood
- Sam Hadley
- Olaf Hajek
- Julene Harrison
- John Harwood
- Adam Hayes
- Bryan Haynes
- HAZE
- John Hendrix
- Thomas Herbrich
- Peter Horridge
- Rod Hunt
- Ilovedust
- Kev Jenkins
- Jeremyville
- Richard Jones
- Kai & Sunny
- Kano
- Anna Karlin
- Chris Kasch
- The Keystone Design Union
- Peter Kraemer
- Staffan Larsson
- Mary Ann Lasher
- Eugene & Louise
- Tim Marrs
- Mick Marston
- Griesbach/Martucci
- David Mcmacken
- Tara McPherson
- Alberto Mielgo
- Kate Miller
- Chris Moore
- Peter Mueller
- Narvi Creative
- Dave Needham
- Gary Neill
- Jeff Nishinaka
- Nomoco
- Paul Oakley
- Henry Obasi
- Steven Olds
- Nigel Owen
- Palehorse Design
- Rizon Parein
- Jitesh Patel
- Pirates Jimi Crayon
- Gavin Potenza
- Qube Konstrukt
- Radio
- Andrew Rae
- Aleta Rafton
- Rhythm & Hues Design
- Larry Rostant
- Harriet Russell
- Serial Cut
- Alberto Seveso
- Sandra Shap
- Yuko Shimizu
- Shinbone
- Shotopop
- Paul Slater
- Ray Smith
- Simon Spilsbury
- Spiral Studio
- Steve Stone
- Louisa St. Pierre
- Superexpresso
- Tes One
- Mark Thomas
- Thunderdog Studios
- Benjamin Wachenje
- Craig Ward
- Luke Wilson
- Stephen Youll
- Zerofractal
Nigel Owen
Bio: Born in 1967 Nigel Owen has worked as a freelance illustrator for the last fifteen years since graduating from Central Saint Martins School of Art, London. Initially working with acrylic paint as a medium of choice he soon began to become interested in printmaking, particularly the textures that can spring from Lino and Woodcuts. Eventually he began to realise that he could quite easily recreate what he was achieving from traditional methods by reassembling these textures as separate layers within Photoshop. Despite a sense of guilt for abandoning the arts & craft traditions of printmaking in favour of digital means he now is certain that he was right to do so. He now has complete control over his illustrations both in terms of colour & compositon. He can produce finished illustrations in a fraction of the time required for prints. Artwork can be emailed easily as high resolution JPEGs (the original Photoshop file remains unflattened on my hard drive ready for any changes required by the art director). Nigel is also a senior lecturer on the highly regarded Illustration BA degree at Falmouth College of Arts in Cornwall,UK














