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- Illustration
- 12foot6
- The 3D Agency
- 7AFX
- Am I Collective
- Tatiana Arocha
- Artbombers
- AXS 3D
- Andrew Bannecker
- Will Barras
- Gary Baseman
- Bigshot Toyworks
- Sir Peter Blake
- Stephen Bliss
- Darren Brass
- Gregory Bridges
- Susan Burghart
- Leonello Calvetti
- Carbon Studio
- Nishant Choksi
- Stan Chow
- Fernanda Cohen
- Coherent Images
- Sarah J. Coleman
- Dan Craig
- Debaser
- Grace Devito
- Tristan Eaton
- Max Ellis
- Ken Fallin
- Jessie Ford
- Nathan Fox
- FWY Studios
- Victor Gadino
- Fred Gambino
- Brian Grimwood
- Sam Hadley
- Olaf Hajek
- Julene Harrison
- John Harwood
- Adam Hayes
- Bryan Haynes
- Sara Hayward
- HAZE
- John Hendrix
- Thomas Herbrich
- Peter Horridge
- Rod Hunt
- Ilovedust
- Thorbjorn Ingason
- Kev Jenkins
- Jeremyville
- Richard Jones
- Kai & Sunny
- Kano
- Anna Karlin
- Chris Kasch
- The Keystone Design Union
- Peter Kraemer
- Staffan Larsson
- Mary Ann Lasher
- Eugene & Louise
- Tim Marrs
- Mick Marston
- Griesbach/Martucci
- David Mcmacken
- Tara McPherson
- Kate Miller
- Chris Moore
- Peter Mueller
- Dave Needham
- Gary Neill
- Jeff Nishinaka
- Nomoco
- Paul Oakley
- Henry Obasi
- Steven Olds
- Nigel Owen
- Palehorse Design
- Rizon Parein
- Jackie Parsons
- Jitesh Patel
- Pirates Jimi Crayon
- Gavin Potenza
- Qube Konstrukt
- Radio
- Andrew Rae
- Aleta Rafton
- Rhythm & Hues Design
- Larry Rostant
- Harriet Russell
- Serial Cut
- Alberto Seveso
- Sandra Shap
- Yuko Shimizu
- Shinbone
- Shotopop
- Paul Slater
- Ray Smith
- Simon Spilsbury
- Steve Stone
- Louisa St. Pierre
- Superexpresso
- Tes One
- Mark Thomas
- Thunderdog Studios
- Benjamin Wachenje
- Craig Ward
- Luke Wilson
- Stephen Youll
- Zerofractal
Max Ellis
Clients: Advertising Age, Agent 16, Maxim Magazine, McCann Erickson, Pace Communications, Wired
Bio: Trained initially as a precision engineer and did a three year apprenticeship before taking up a degree course in illustration and photography. Painted for 10 years after college specializing mainly in caricature, winning the British illustration (AOI) award for humor in 1992. My digital epiphany took place over ten months in 1996, holed up in farm with only pigs, horses and celebrities for company, I still discover something new every day.
